Early access — 2026

Your book
finally has

a writing room.

Multiple specialists who talk to each other, read everything,
and only bring something to you when they've agreed it matters.

Giluma is editorial intelligence for anyone writing a book, a manuscript, or a long-form work that deserves an editor. From the first sentence. Not after the draft is finished.

No credit card required Your manuscript stays yours Never used for training
Every writer knows this feeling

You know something is wrong.
You just can't see what.

The tools exist. The feedback exists. But nothing is reading the whole book. Nothing remembers what you decided last session. Nothing is watching while you write.

"I finished the draft. Something isn't working. I just can't see what."
You're too close to your own work to see the structure clearly. A promise made in chapter three went unresolved by chapter fourteen. The second act loses momentum in a way you can feel but not locate. No tool has read the whole book. Nothing can show you what's actually there.
"The AI gave me feedback that contradicted what it said last week."
Every session starts from zero. You re-explain the book. The feedback has no memory of your decisions, your intentions, your voice. It treats your deliberate style choices as errors. It forgets that you've been here before.
"I can't afford a developmental editor. The system isn't built for me."
A developmental editor costs $2,000 to $10,000 for one manuscript, available only after you've finished. The serious editorial intelligence that could transform your writing has been locked behind a price most writers cannot pay.
"I know what I want to write. I just can't see which direction takes me there."
The block isn't about ideas. It's about not being able to see clearly enough to know which direction is right. The threads are there. The possibilities are there. But nobody has read everything. You're making decisions in the dark.

Having writer's block? Not sure which direction your book should go?

Giluma helps you think clearer — surfacing the paths your story could take, the threads you've left open, the decisions you haven't made yet. It's not a generic AI. It's not an expensive editor's service. It's your personal writing room — always there, always reading, always thinking alongside you.

The block lifts because the picture becomes clear. The agents have read everything. They can show you what's unresolved, what's been set up without a payoff, where the structure is pulling in two directions. You stop guessing. You start seeing.

What Giluma is
A writing room.

Not a tool. Not an assistant. Not a chatbot that generates prose and forgets everything. A room.

Inside Giluma, ten specialist agents work simultaneously — each holding a different part of your book's intelligence. A Structure agent that tracks every dramatic promise and every open thread. A Character agent that knows your characters better than any editor could after reading the manuscript once. A Voice agent that has learned your sentence rhythm, your register, your intentional departures — and governs everything Giluma generates to make sure it sounds like you.

These agents talk to each other before they talk to you. If the Character agent thinks something is wrong, it checks with the Structure agent first. If the Structure agent can explain it as load-bearing for a plot thread, it resolves before it reaches you. Only what the room has agreed on surfaces. No contradictions. No noise. Just what matters.

The Grammar agent works continuously in the background, correcting errors as you type, checking every suggestion against your protected voice choices before flagging anything. The Generation agent reads the whole manuscript before producing a single word — knowing your characters, your voice, your chapter's declared intention — generating prose that sounds like this book, not like average AI output.

Multiple specialists who talk to each other, read everything, and only bring something to the writer when they've agreed it matters. The room gets smarter over time.
Seven problems. One room.

Problems the room
was built to solve.

Each slide is a problem every serious writer knows. Below it: what the room does about it.

01 ⁄ 07
"My editor has no idea what I decided three sessions ago."

The room remembers everything.

Every decision you make — every observation you agree with, every departure you declare intentional — is stored in a Personal Book Model specific to your manuscript. Nothing is repeated. Nothing is forgotten. The room builds a deeper understanding of your book with every session.

Personal Book ModelSession memoryCompounds over time
02 ⁄ 07
"The feedback flagged my style as an error. That's how I write."

Your voice is protected. Always.

The Voice agent holds your voice profile and your protected departures. Every observation passes through it before reaching you. Comma splices you use deliberately. Fragments you write intentionally. None of these are flagged. The room evaluates against your declared intentions, not a universal standard.

Voice protectionIntent-governedNever flags the intentional
03 ⁄ 07
"I set something up in chapter three. I'm not sure I ever paid it off."

Every open thread is tracked.

The Structure agent holds every dramatic promise, every setup, every thread. It reads the whole manuscript before making a single observation — so it can see a promise made in chapter three against what happens in chapter fourteen. Nothing hides from the whole.

Whole manuscriptOpen thread trackingSetup & payoff
04 ⁄ 07
"The observations don't coordinate. One says slow down, one says speed up."

Ten agents. One coordinated room.

Agents talk to each other before they talk to you. The Pacing agent thinks a scene is running long. But the Structure agent knows this scene is doing load-bearing work. They resolve it before it reaches you. No contradictions. No noise. Just what matters.

Agent coordinationFiltered before surfacingNo contradictions
05 ⁄ 07
"The AI generated something. It doesn't sound like my book at all."

Generation from inside the book.

The Generation agent reads the whole manuscript before producing a word. It loads your voice profile, your character models, your chapter's declared intention. The output sounds like this book — because it was built from this book. You accept, reject, or use it as scaffolding. Nothing is inserted automatically.

Voice-governedWhole manuscript contextWriter decides
06 ⁄ 07
"Mira's eyes were brown in chapter three. They're green in chapter eleven."

Nothing slips through the whole.

The Continuity agent tracks physical descriptions, object appearances, and logical consistency across every chapter. The Timeline agent tracks when things happen. If something contradicts something else — anywhere in the manuscript — the room finds it. Not after the draft. During it.

Continuity trackingTimeline consistencyWhole manuscript
07 ⁄ 07
"I write from the first sentence with no one watching. By chapter ten, I'm lost."

The room is there from sentence one.

In Live Studio mode, an intake conversation builds your book's architecture before chapter one is written. Characters, dramatic question, voice, genre — all established before you begin. The room is present before the first word. You never write alone again.

Live Studio modeFrom sentence oneIntake architecture
How the room works

You control how much
the room speaks.

Three writing states. The room adjusts to where you are in your process.

State 1
Draft
The room watches everything you write. Nothing surfaces. No observations, no interruptions. The agents are reading but not speaking. The writing process is yours.
Agents active — silent. No session consumed.
State 2
Review
You want a check. The room surfaces Critical observations only — things the agents have agreed are significant enough to interrupt. Everything else is held.
Critical observations only. One session.
State 3
Done
You mark a chapter complete. The full room runs. All agents coordinate, filter each other, and surface everything they've agreed matters — Critical, Flag, and Note.
Full room analysis. All observation tiers. One session.
One session = one full room analysis you trigger. Everything the agents do in response is included. Follow-up questions within the same working period are free. The Grammar & Line agent works continuously in the background — correcting as you type, never requiring a session.
The honest comparison

What you have now.
What you'll have with Giluma.

Without Giluma
  • A developmental editor available only after the draft is finished — $2,000 to $10,000, once.
  • AI tools that forget everything the moment the session ends.
  • Generic feedback that treats your voice as an error.
  • Nothing reading the whole manuscript simultaneously.
  • Nobody watching while you write — only after.
  • Grammar checkers that flag style. Writing tools that generate noise.
  • Contradictions discovered at the end, not during.
With Giluma
  • A writing room present from the first sentence — throughout the entire process.
  • Whole-book memory that builds with every session and never resets.
  • Voice protection that locks your intentional choices out of all analysis.
  • Ten agents reading the entire manuscript simultaneously, coordinating before surfacing anything.
  • Grammar corrected continuously, in the background, silently.
  • Generation that sounds like your book — because it read your book first.
  • Every contradiction, every open thread, every broken promise — found during writing.
The honest number. A human developmental editor charges $2,000–$10,000 for one manuscript — available only after you've finished, with no memory of your process. Giluma works across the entire writing process, from the first sentence to the last, remembers every decision, and gets smarter the longer you use it. It is not a cheaper human editor. It is something a human editor cannot be.
Early access

Join the writing room.
Start with the book
you're already writing.

Giluma is in early access. Tell us about your writing and we'll be in touch with everything you need to get started.

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We'll be in touch with early access details. Your manuscript is waiting.